Rossini - Stabat Mater, conducted by Jakob Lehmann
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Rossini - Stabat Mater, conducted by Jakob Lehmann

Jakob Lehmann conducts the Teatro Nuovo Chorus & Orchestra in a performance of Rossini's "Stabat Mater", Church of the Heavenly Rest, New York City, June 2019 Alana Youssefian, concertmaster Lucy T Yates, chorus master Soloists: No. 1 Stabat mater dolorosa Tatev Baroyan, soprano SarahAnn Duffy, mezzo-soprano Spencer Viator, tenor Dorian McCall, bass-baritone No. 2 Cujus animam Derrek Stark, tenor No. 3 Quis est homo Christine Lyons, soprano Hannah Ludwig, mezzo-soprano No. 4 Pro peccatis Erik van Heyningen, bass-baritone No. 5 Eja mater Daniel Fridley, bass No. 6 Sancta mater Meagan Sill, soprano Allison Gish, mezzo-soprano Isaac Frishman, tenor Hans Tashjian, bass No. 7 Fac ut portem Maya Gour, mezzo-soprano No. 8 Inflammatus Sarah Vautour, soprano No. 9 Quando corpus morietur Alina Tamborini, soprano Amanda Fink, mezzo-soprano Christopher Hochstuhl, tenor Vincent Grana, bass Video & Audio recording by Oliver Weston
Teatro Nuovo: Il barbiere di Siviglia - Sinfonia (The Barber of Seville Overture) Rehearsal 7/20/21
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Teatro Nuovo: Il barbiere di Siviglia - Sinfonia (The Barber of Seville Overture) Rehearsal 7/20/21

Teatro Nuovo's 2021 season includes two performances of Rossini's The Barber of Seville at Lincoln Center's Damrosch Park. More info at https://www.TeatroNuovo.org This video was filmed in rehearsals ahead of these performances. Maestro al cembalo: Will Crutchfield Primo violino e capo d’orchestra: Jakob Lehmann Primo violoncello al cembalo: Hilary Metzger Primo contrabbasso al cembalo: Peter Ferretti Violin I: Alana Youssefian (Associate Concertmaster) Chiara Fasani Stauffer Susannah Foster Edson Scheid Francis Liu Laura Lutzke Violin II: Jeffrey Girton (Principal) Jessica Park Amelia Sie Matthew Vera Jude Ziliak Viola: Stephen Goist (Principal) Dan McCarthy Kyle Miller Alissa Smith Violoncello: Keiran Campbell Matt Zucker Double Bass: Lizzie Burns Will R Robbins Flute: Joseph Monticello (First) Taya König-Tarasevich Oboe: David Dickey Clarinet: Thomas Carroll (First) Elise Bonhivert Bassoon: Nate Helgeson (First) Allen Hamrick Horn: Nathanael Udell (First) Yoni Kahn Trumpet: Christopher Belluscio (First) Paul Perfetti Percussion: Jonathan Hess
Brahms Serenade No.1 in D Major for Nonet - Scherzo: Allegro non troppo — Trio: Poco più moto
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Brahms Serenade No.1 in D Major for Nonet - Scherzo: Allegro non troppo — Trio: Poco più moto

Performance by Australian Romantic & Classical Orchestra Guest Director Jakob Lehmann Johannes Brahms (1833-1897) Serenade No.1 in D Major for Nonet Scherzo: Allegro non troppo — Trio: Poco più moto Recorded live at City Recital Hall, Sydney on 19 August 2019 ––– Founding Artistic Director | Richard Gill AO Co-Artistic Directors | Rachael Beesley & Nicole van Bruggen Video editing | Nico Jonker More information: http://www.arco.org.au Subscribe to this Youtube channel and follow us on social media for more content: Facebook: https://www.facebook.com/AustralianRomanticClassicalOrchestra/ Instagram: https://www.instagram.com/ausromclassorch Twitter: https://twitter.com/ausromclassorch
Schubert & Berwald: Chamber Music by Anima Eterna Brugge
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Schubert & Berwald: Chamber Music by Anima Eterna Brugge

Jos van Immerseel: “While since its foundation in 1987 Anima Eterna Brugge has grown organically into a symphonic orchestra, chamber music once again forms an important part of our repertory today. We will continue our journey through orchestral music, but want to broaden our base by including chamber music as well.” This recording is Anima’s very first to be completely devoted to instrumental ensemble music. A group of musicians headed by violinist Jakob Lehmann breathes new life into two 19th-century masterpieces. Schubert's Octet in F is a crown jewel from the repertoire, taking its cue from Beethoven’s celebrated Septet yet at the same time paving the way toward the Grosse Sinfonie. Roughly 20 years after its iconic recording of the complete Schubert symphonies, Anima brings its signature approach to the composer’s chamber music to explore it with the insights and “language skills” developed back then and from thereon. In contrast to Schubert, Franz Berwald has been largely forgotten – undeservedly, as this gifted Swede left behind an oeuvre that is both surprisingly modern and delightfully original. Performed on period instruments, using authoritative sources and contemporary playing techniques, these brilliant pages of large ensemble music are now ready to be rediscovered and enjoyed once again. ALPHA461 Release date → April 2019 Stream//Download//Buy → https://lnk.to/Schubert_BerwaldID FACEBOOK→ www.facebook.com/alphaclassics TWITTER → www.twitter.com/alpha_classics INSTAGRAM → www.instagram.com/alpha_classics/ YOUTUBE → www.youtube.com/c/alphaclassics WEBSITE → www.outhere-music.com/alphaclassics
MENDELSSOHN // In Time by Chouchane Siranossian, Anima Eterna Brugge & Jakob Lehmann
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MENDELSSOHN // In Time by Chouchane Siranossian, Anima Eterna Brugge & Jakob Lehmann

"With this new series entitled ‘Salon de musique’, Alpha presents recordings made by artists who have enlivened the Fesival of Salon de Provence for some years now: the pianist Eric le Sage, who has made many recordings for Alpha, the clarinettist Paul Meyer etc… with cellist Claudio Bohórquez, they have now put two Beethoven trios on disc. By 1798, the year Ludwig van Beethoven composed his Trio for piano, clarinet and cello op.11, he was already well-known in Vienna as a remarkable improviser and an ambitious young composer. the piece was clearly aimed at the enlightened aristocracy, as well as competent musical amateurs. This did not prevent the critics, though universally positive, from judging the score to be over-complex in places. Dedicated to the Empress Marie-Theresa of Austria, the Septet was published in 1802 by Hofmeister, and on being well-received it was then rearranged for various combinations. Beethoven himself made a version for clarinet, cello and piano, op.38 in E Flat major – the one recorded here." Release date → 24th of August Stream//Download//Buy → https://lnk.to/InTime_Lehmann_Siranossian_AnimaEternaBruggeID FACEBOOK→ www.facebook.com/alphaclassics TWITTER → www.twitter.com/alpha_classics INSTAGRAM → www.instagram.com/alpha_classics/ YOUTUBE → www.youtube.com/c/alphaclassics WEBSITE → www.outhere-music.com/alphaclassics
The Golden Age – Cello 1925
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The Golden Age – Cello 1925

New CD from Christoph Heesch, the prizewinner of the Fanny Mendelssohn Sponsorship Award Works by Paul Hindemith, Jacques Ibert, Ernst Toch and Bohuslav Martinů Christoph Heesch, Cello Eroica Berlin, Chamber Orchestra Jakob Lehmann, Conductor The young cellist Christoph Heesch is releasing a revolutionary CD on GENUIN. The prizewinner of the Fanny Mendelssohn Sponsorship Award plays four cello concertos from 1924-25, each of which is a sensation in itself. The composers Paul Hindemith, Jacques Ibert, Bohuslav Martinů and Ernst Toch wrote exciting music for an exciting time: they broke all conventions and put the solo instrument and orchestra in a new relationship to each other. Christoph Heesch throws himself into these virtuoso, melodious, cumbersome works with verve. In short: absolutely worthwhile works that you do not want to listen to anywhere else than from this CD. GEN 18613